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Favorite numbers include an in-the groove version of Abbey Road’s “Come Together,” the novelty music with an incredible riff “Birthday,” a swamp blues-accented “Do It In the Road” together with “Yesterday”-re-imagined as a cushiony blues rhumba. Then easing again, the dueling keys of John Pinekaers’ piano and Toby Marshall’s organ, it’s Dee’s deep intense vocals that “Take It To The Limit,” constructing a gospel depth so soulful it took some time to appreciate this was an Eagles track. Drifting to a gentle sway, Dee croons over Marshall’s mild organ and Boom Boom’s harp as the cymbals dance across the rhythm and soulful backing vocals chime in like a horn section with Dylan Salfer playing some great slide guitar on Derek Trucks’ “Midnight In Harlem.” Craig Clark steps to the front on vocals for Albert Collins “Black Cat Bone” as John Pinekaers sprinkles some juju on piano and Clark lays down some heavy mojo on his solo, driving his vocals to the edge. Then Craig throws down a heavy riff as Miller moans and cries that her man has been “Steppin’” out as the piano plunks out a protest and the guitar offers a thunderous reply until Dee steps in to set issues straight.
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