The determination to deal with even undesirable elements of one’s culture in a humorous-yet-serious manner is something that has been ever-present in the media. Social issues, in addition to the occasional political problem, can all of a sudden be the focal conversation point of episodes of popular shows, with some more popular ones becoming the focus of entire series. The Japanese hikikomori problem, together with the standard social stress and anxiety and hints of schizophrenia that being a hikikomori entails, has actually ended up being the property of a relatively current franchise including an anime, comic, and unique series known merely as “Welcome to the NHK.”
The program concentrates on the lives, trials, and tribulations of Sato Tatsuhiro, who is basically a hikikomori. This indicates he exhibits severe moments of social stress and anxiety, presuming as to prevent his parents (whom he’s coping with) as much as he can. Besides being a social shut-in, he is likewise often seen to show another Japanese sub-culture-turned-problem: that of being an obsessive anime otaku. For the unfamiliar, the Japanese see the otaku sub-culture as a prospective social problem, generally due to the fact that most of these individuals have actually a slightly jeopardized grip on truth, preferring to focus their time, effort, and attention on numerous forms of home entertainment. Typically, the obsessive nature targets a single media type, such as music or anime, and focuses specifically on that. The sub-culture exhibits indications that are interpreted as social anxiety, though they sometimes appear to have rather regular social interactions on the unusual celebrations where large numbers of otaku gather.
This conspiracy, understood as the Nihon Hikikomori Kyokai (the Japanese Hikikomori Association), is the source of the “NHK” in the title, rather than the real-life Japanese television network NHK. It is notable that while Sato at first believes the female lead, Misaki Nakahara, to be one of these representatives, he never ever actually takes the time to detail what the NHK hopes to attain by turning the whole male population of Japan into socially-inept shut-ins.
폰허브 Together with a variety of other characters, a few of which appear to be agents of other socially-challenged Japanese sub-cultures, Misaki and Sato come together in the most unusual ways. Part of the interaction in between the two leads originates from Misaki’s agreement with Sato, which mentions that once every evening, she is to lecture him on how to overcome his social stress and anxiety and become a typical, working member of society again. Of course, to supply home entertainment value, not everything goes as planned, with Sato experiencing everything from panic attacks due to being outside his apartment, to having Misaki pretend to be his sweetheart to trick his checking out mom.
This consists of the prospering independent video gaming circuit, the “Internet suicide pacts” issue, and other Japanese social peculiarities. Thus, unlike the novels, the program does not explicitly connect the NHK conspiracy to the NHK tv network.
The Japanese hikikomori issue, along with the standard social stress and anxiety and hints of schizophrenia that being a hikikomori entails, has actually become the property of a relatively current franchise consisting of an anime, comic, and unique series understood just as “Welcome to the NHK.”
This conspiracy, understood as the Nihon Hikikomori Kyokai (the Japanese Hikikomori Association), is the source of the “NHK” in the title, rather than the real-life Japanese tv network NHK. It is notable that while Sato at first thinks the female lead, Misaki Nakahara, to be one of these representatives, he never actually takes the time to information what the NHK hopes to attain by turning the whole male population of Japan into socially-inept shut-ins.
Therefore, unlike the novels, the program does not clearly connect the NHK conspiracy to the NHK television network.